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postponed laughter

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When I listen to hashed tones of dispair, I count how much life's been fair, Since dawn and dusk is not a guaranteed affair— I wish away any path that wishes I unprepare. Crimson rays rejuvenates my view of morrow, With memories I oft° stayed awake to borrow, Through views of unwanted dreams so narrow, But hope flowed in my bones like living marrow. I'm unwinding what I wound in unforgotten miles— Miles I trudged in agony that devoured smiles, When my tears soaked pages of open files, Watering down dreams engraved in tones of stone piles. Thence, in postponed laughter it tear'd through clouds, And taught my weary soul that hope survives in shrouds. ©Bunguswa™

African Voices

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Three giants. Three voices. One enduring legacy. Chinua Achebe, Wole Soyinka, and Ngũgĩ wa Thiong'o remind us that literature is not merely written—it is lived, questioned, and used to shape the conscience of a people. Their works continue to inspire my journey with the pen. — Bunguswa Writes

We keep rising, everyday.

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The storm may bend the branch, but it teaches the roots to hold deeper. Resilience is the quiet poetry of survival. — Bunguswa Writes

Thank you Wits University.

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I am humbled 🙏

ODE TO MOTHERHOOD.

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Motherhood is the oldest hymn ever whispered by the earth. Before kings wore crowns of pride, before rivers discovered the language of the sea, before the moon learnt how to comfort darkness, a mother had already mastered the sacred art of sacrifice. She is the first homeland of humanity. The first heartbeat we ever hear. The first shelter against fear. The first prayer spoken over trembling flesh. A mother is not simply a woman— she is a season of mercy. She is rain arriving in drought. She is fire guarding a freezing house. She is the tree that continues offering shade even when wounded by storms. And today, as the world gathers flowers for Mother’s Day, I gather words from the deepest chambers of gratitude to honor the women whose love became bridges beneath our feet. First, to my mother, Beatrice— woman of resilience clothed in gentleness, keeper of impossible hope, builder of futures from almost nothing. You carried I, Ann, Allan, Mercy, and Kelly through diffi...

Vasco da Gama Returns to the Ballot

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They said he left— Vasco da Gama— buried in the salt of another century, his compass folded into museum glass. But I see him again, not on the Indian Ocean, but in the ink of promises, in the rehearsed smiles of men who arrive like ships at dawn— quiet, convincing, carrying “development” in the belly of their speeches. He docks at our shores differently now: no cannons, no крест-shaped flags— just manifestos perfumed with hope, just microphones that bloom like false prophets in the market of hunger. And we— we are still Calicut, still Malindi, still the soft coast that welcomes strangers before asking the cost of arrival. He has studied us well. He knows our tides: how quickly we forget the last storm that emptied our nets, how easily we trade tomorrow for a louder today. So he renames conquest— calls it agenda , calls it bottom-up , calls it hustle , and we clap, because the chains now sound like opportunity. But listen— the ocean remembers everything. It remembers how map...

Power, Narrative, and Historical Consciousness: A Marxist and New Historicist Study of Citizen Hearst and the Political Life of Raila OdingaBy Bunguswa Brian

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CHAPTER ONE: INTRODUCTION. The relationship between power and narrative remains one of the most contested terrains in both literary and political studies. Biography, as a literary form, occupies a particularly complex position within this terrain: it claims to document reality while simultaneously shaping it through interpretation, emphasis, and omission. In this regard, Citizen Hearst by W. A. Swanberg is not merely a recounting of the life of William Randolph Hearst, but a constructed narrative that reflects broader ideological tensions within American capitalism. When juxtaposed with the political life of Raila Odinga , the text invites a transhistorical and transcultural analysis of how power operates through both media and political structures. This study seeks to interrogate the ways in which narrative functions as an instrument of power, as well as a site of resistance. While Hearst’s influence is rooted in the ownership and manipulation of media institutions, Raila...